Spotify: Though it is free to put music on this site, it only uploads music from distributors or labels. Merchandise can also be posted for free on profiles and no cut is taken. Royalty payments vary from $.006 and $.0084 per stream.
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Spotify: Though it is free to put music on this site, it only uploads music from distributors or labels. Merchandise can also be posted for free on profiles and no cut is taken. Royalty payments vary from $.006 and $.0084 per stream.
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A remarkable music video has the power to get an musician’s name out and be seen by the masses in a short period of time. It shows audiences who the artist is, how they perform, and how they want their craft to be portrayed. In addition to making a top-quality video, it is key to have a team that can promote your video to major labels, television networks, music blogs and potential fans. Without the right targeting, even the most professionally made videos can go unnoticed. That’s where we come in! Pro Music Records can not only write, produce and direct your next customized video, but push it to MTV, BET and VH1 amongst hundreds of broadband video companies and shows worldwide. Leave it to our team of experts to help you create a top-quality video that gets you noticed and recognized as a legitimate artist.
What does branding have to do with you as a music artist? In a word: everything. Your brand extends far beyond the logos on your website or merchandise items. Branding is about awareness, both of yourself and the public’s mental positioning of you. Being aware of what you are subtly and unconsciously conveying to the public is key to controlling the magnetism of your brand. But before you can begin to develop brand awareness, you need to adhere to what are the 3 C’s of branding.
Be clear about who you are, and who you are not. You need to understand your unique promise of value, and how this sets you apart from others. This first step is critical because it forces you to see yourself as others do. Once you’ve made it clear about what you are all about, you will soon attract and build a more targeted fan base that will better resonate with you because you’ve taken a position.
You don’t want to be all things to all people, especially when you’re just starting out. You do want to be the leader a particular tribe based on what you believe individually, and thus express artistically. A good brand taps into emotions, and emotions drive most, if not all of our decisions.
So ask yourself:
“What makes me distinctive? And how do I communicate that?” Remember to be authentic, and always true to yourself.
Clarity then extends to your logos, your social media topics, and even the diction you use when talking to your fans. Are you more formal and write in proper grammar, or are you more laid back and talk as though you are chatting or texting? Do you care about what’s going on in politics, or do live life more carefree?
Either way, try to choose a position and stick with it. Branding is all about trust, and if you constantly change what you’re all about, people can become confused and eventually tune out.
Consistency is what gives the public faith in your abilities and your delivery. It creates expectations. Once you’ve taken a position, you need to remain consistent with it.
From a digital standpoint, all your web properties should be aligned with one another, and you want to make it perfectly clear that someone has arrived at your official web property. The branding elements from your website should fickle down to all your other web assets (such as your Facebook and Twitter) so that they are all consistent in look and feel. Think of your website as the mother ship, and all the other web and social assets as smaller ships conveying the bigger message.
Once you’ve defined who you are and what you’re all about on a consistent level, you want to ensure that you remain active in conveying this. This doesn’t mean constantly bombarding fans with promotional messaging. What it does mean is being there on a constant basis to engage and interact with your audience, but only to the degree where you’re not overwhelming them and also not leaving them out in the cold.
Fans want to interact with you, but they don’t want to be spammed with how great you are or why they should spend money on you. Think of your web engagements as your own reality TV show or soap opera: if the story continues with regularly scheduled programming, people will tune in. They don’t, however, want to see commercials running the entire time.
Once you’ve employed these 3 C’s to your brand, you can begin positioning it. Once you’ve defined it, seek out all opportunities to better position your brand. Find those who will be most receptive to what it is that you have to offer and focus on them.
Building a brand takes a lot of time and effort but once you put in the work to build a good, consistent reputation, it will continue to pay dividends into the future.
We are proud to announce the month of March marks the 5th year anniversary of Pro Music Records, Inc. On March 8th, 2007, Pro Music Records. Inc was officially incorporated. When we launched www.promusicrecords.com on our initial launch date December 1st, 2007, we never imagined the difficulties we would face, or the amount of time it would require. Like many others, we simply thought that when we launched, it would be an instant success. We aimed our focus at social media websites and asked participants to visit us. However, many who noted that our site didn’t even appear in a Google search quickly dismissed us.
Since then, our development efforts during the past five years were aimed at learning to utilize and incorporate (SEM) search engine marketing techniques and applying Google Analytics to our websites. We advertised a bit and remained focused on building a comprehensive set of analytical tools, proprietary software systems, and a vast directory database to help service the general music and entertainment population.
Now, five years later, we can proudly claim of ranking in the Top 20 Music-Records Sites published on top20sites.com. Top20Sites.com is the leading directory of the web’s most popular sites. By visiting this website you can find the top websites, as ranked by our vast community, in over 85,000 pristine directories.
Pro Music Records and Entertainment Media Recent Google Rankings:
• Ranks #3 of about 445,000,000 results for entertainment media los angeles
• Ranks #2 of about 58,700,000 results for music promotion los angeles
• Ranks #2 of about 4,250,000 results for r&b indie artist los angeles
• Ranks #3 of about 4,410,000 results for music distribution los angeles
• Ranks #15 of about 13,000,000 results for dvd distribution los angeles
• Ranks #15 of about 15,300,000 results for independent record label los angeles
The US ISRC Agency appointed Pro Music Records & Entertainment Media as an “IRSC Manager” in January 2012. Pro Music Records Inc. is approved to assign ISRCs on behalf of the owner of a music or video recording. Pro Music Records and Entertainment Media Services now include submissions to radio stations that welcome independent music, music reviewers, music blogs, podcasts, Internet Radio, Distributors (physical and digital), Radio Promoters, Promotional Services, PR Services, Publicists, Project Management Services, Digital Download websites, Film/TV Music Supervisors and more!
Right now our affiliated partner database contains over 3,000 companies and 8,000 contacts, nearly every A&R rep, CEO, film and TV contact, publisher, music attorney, artist manager, and almost every other music industry position. We are proud to service independent artists, labels, and entertainment company’s music and entertainment products to over 850 record labels who are accepting demos, 500 music and video distributors, 1000 Music Reviewers, and 5500 radio stations that welcome independent music and entertainment media.
We wish to thank all of you who have written to us during the past 5 years and have: informed us of problems, and requested customer service.
And most importantly, we wish to thank all of you for being loyal followers of our site and referencing our information daily. We will continue to improve our content for our visitors and strive to bring our clients more success in their music and entertainment careers!
Ever wonder why some talented local musicians never get that elusive record deal? Or why the careers of some signed artists or American Idols stall out just past the starting gate? It’s not just “bad luck.” Here are 20 common reasons why some artists never make it to the next level:
1. Poorly-defined goals. Even if they’re too modest to say so in public, successful artists have a solid answer for the question: “What are your goals in the industry?” (Need help with goal setting? Check this out.)
P.M.R & Entertainment Media Services
2. Band members with different goals. In order to succeed, you have to be on the same page. It’s tough to stay on track if some band members know what they want and others want different things or don’t know what they want at all.
3. Lack of musical focus. Creativity is good, but in the mainstream music industry, only artists with multiple past successes have leeway to gravitate toward other musical styles. Here’s why: Different musical genres involve different networking contacts and working methods. Artists whose styles are too diverse have difficulty achieving consistent contacts and working methods…and it takes consistency to break a new artist. (Newsflash for artists who think playing a lot of different styles makes them unique: it doesn’t. We see artists with this “unique” talent all the time. In fact most artists can play or sing in more than one style, but publicly they focus on one they do best.)
4. Poor work ethic. The old saying that harder you work, the “luckier” you get is true.
5. Waiting to be discovered. People who are “discovered” make it happen instead of waiting.
6. Ineffective artist management, or not listening to good management. It sounds simplistic, but it’s where many artists go wrong. In order to be effective, your management has to know what they’re doing. And if you have good, experienced management but don’t follow their advice, they can’t help you.
7. Working with people who don’t have contacts in the industry at the next level. Ideally, the people you start with should be constantly building better skills and contacts along the way. If that doesn’t happen, you’ll need to work with people who have contacts at the next level.
8. Signing with a label with inadequate funding or poor distribution. If you want a record deal, the goal isn’t “a record deal.” The goal is the record deal with the most potential for long-term success.
9. Lack of a live following. Especially in rock and country, no draw means no deal.
10. Artist “settles” too much; recording quality, image, stage presence, photos, and demo packaging, and overall presentation are all just “OK.” Successful artists are more than just “OK” and never settle. Nor do their managers.
11. Poor networking skills. Successful artists constantly seek new networking methods and know how to use them.
12. Hanging onto ineffective band members. Many artists have trouble separating business and friendship, at the cost of their careers.
13. Dated musical style. (Sounding like 1990’s Pearl Jam or ‘NSync probably isn’t going to cut it.)
14. Dated image. If you still dress the same way you did 5 to 10 years ago or have the same hair style, it’s
time to freshen up. If you’re fond of the clothes, wear them on your own time–not when you want someone to invest money in your music being the hippest, happening thing since sliced bread.
15. Lack of radio-friendly songwriting (or lack of access to radio-friendly original songs). No hit potential, no deal.
16. Bowing to peer or family pressure not to change. Doing the same thing, the same way, brings the same results. So in order to improve something, change has to occur; it literally can’t stay the same. Change isn’t necessarily a bad thing: if you put icing on a cake, the cake changes but is still the same underneath. If it’s bad icing or you do something stupid when frosting it, the cake falls apart. (Fortunately, that doesn’t happen too often.)
17. Drug or alcohol issues. Many artists with easy access to drugs, alcohol, and groupies at the local level have the distorted impression that they’ve “made it” and lose motivation to go any further.
18. Spouse / child obligations. Putting together an entertainment career is expensive and requires a major time commitment. The same is true of spouses and children. We’re not saying it’s impossible, but it’s definitely more difficult.
19. Impossible to work with. Being impossible to work with doesn’t always mean the artist isn’t a nice person; we know one very nice artist who has had seven managers in the past ten years. We like this artist just fine as a person, but in order for a team to become successful, it needs time to gel. With a rotating litany of band members, managers, and agents, that’s not likely to happen.
20. Not understanding how the industry works. You have to know how the game is played in order to move the right pieces.